Birgit Seeger-Brooks Art Collections
Shop for artwork from Birgit Seeger-Brooks based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
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Artwork by Birgit Seeger-Brooks
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Winter Buddha by Birgit Seeger-Brooks
Cocktail Hour 1 by Birgit Seeger-Brooks
Autumn Buddha by Birgit Seeger-Brooks
Sophie by Birgit Seeger-Brooks
Forest Buddha by Birgit Seeger-Brooks
Cocktail Hour 2 by Birgit Seeger-Brooks
Buddha Portrait by Birgit Seeger-Brooks
This World Other Worlds by Birgit Seeger-Brooks
The Magician by Birgit Seeger-Brooks
Ocean Buddha by Birgit Seeger-Brooks
Broken Shelter by Birgit Seeger-Brooks
Spirit Triumphant by Birgit Seeger-Brooks
Sahara Fantasy by Birgit Seeger-Brooks
Dancing by Birgit Seeger-Brooks
Fall by Birgit Seeger-Brooks
Abo Ruin 5 by Birgit Seeger-Brooks
Abandoned Farm Equipment Trailer 2 by Birgit Seeger-Brooks
Abandoned Farm Equipment Chain Drive Detail by Birgit Seeger-Brooks
Stevie, wonders by Birgit Seeger-Brooks
Phoenix by Birgit Seeger-Brooks
Waiting for Daddy by Birgit Seeger-Brooks
Sophie's Hideaway by Birgit Seeger-Brooks
El Malpais Cinder Ridge 2 by Birgit Seeger-Brooks
Abandoned Farm Equipment Fuel Tank Close Up by Birgit Seeger-Brooks
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About Birgit Seeger-Brooks
ARTIST STATEMENT
How and when does one decide to become a painter? There are many different answers to this question. In my case it was a visit to a garden store, selling, among other things,
ceramic vases. To this day, I remember seeing a black ceramic vase and the impact this particular object had on me. Looking at this vase filled me with joy and excitement. At that moment, I decided that my future lay in fine arts. I was ten years old at that time.
When I visited the government’s career counseling service I voiced my passion for art. The counselor informed me then that I lacked an important prerequisite to pursue a career in the visual arts, a rich father. I was crushed.
I can finally answer the question posed by Langston Hughes in his poem:
HARLEM (DREAM DEFERRED)
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore
And then run?
Does it stink like rotten meat?
Or crust and sugar over
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
I held on to my dream. Fifty eight years later my first painting instructions took place. When I started taking drawing and painting lessons I wasn’t sure if I had enough talent. Fortunately, I had two great teachers who encouraged me. They set examples about the dedication required to become a painter.
What are my paintings about? Often I don’t know until after the painting has been finished. However, there are two concepts that seem to recur: The female form is often present in my paintings, particularly in my pastel paintings. The second concept is fertilization and metamorphosis. Fertilization refers not only to human fertilization but also to the fertilization of thoughts and actions. Fertilization gives rise to a fundamental change (metamorphosis).
I prefer to concentrate on ideas that transcend the personal and focus on the universal. Personal revelation is uninteresting to me, what matters are the experiences that connect us to each other and the world around us.
Another important idea for me is the concept of interconnectedness; we are all part of nature and nature is part of us. In my world view there is no hierarchy, all is intertwined, making up the great matrix of life. This matrix of life is awe inspiring and beautiful in its complexity, and ever changing nature. We are a microscopic part of this great web of life, that’s all.
Not all of these ideas are reflected in my paintings. Sometimes just the beauty of color and spatial organization of the canvas matters. At other times, I am more concerned with the development of pleasing patterns, sensuous curves and straight lines.
Something I wrote in 1997 still applies:
I LOVE COLOR AND CURVES. FOR ME CURVES REPRESENT HARMONY AND SENSUOUSNESS.
TO CREATE TENSIONS AND BALANCE, I LIKE TO COMBINE CURVES WITH STRAIGHT LINES.
FORMS THUS CREATED REFLECT HARMONY AND JOY.
The term sensuousness needs to be clarified because of its narrow application in today’s language. Sensuousness is the engagement of all our senses to perceive and enjoy our world.